The film, directed by Rob Reiner in 2010, makes a big change by shifting the 90s setting of the book to the late 1950s. Starring Madeline Carroll as Juli Baker and Callan McAuliffe as Bryce Loski, the film leans into a nostalgic, mid-century vibe that really helps the story feel more serious. It isn’t just about a childhood crush; it’s about what a person is actually made of. By using a dual point of view, the film shows the emotional distance between two neighbors who live on the same street but experience the world very differently.
The main conflict in the movie isn’t about big plot twists, but about how these two characters slowly change from the inside. Juli starts with a sincere admiration for Bryce, while Bryce is driven by a need to fit in and be left alone. The film does a great job showing this contrast—how Juli’s world is wide open and full of life, like the sycamore tree she loves, while Bryce’s world is small and fearful. It’s an honest look at how we often realize, maybe a bit too late, that we’ve been chasing the wrong things for the wrong reasons.
While the film leaves out some of the book’s smaller side stories to keep things moving, the 50s setting actually makes the family situations feel a lot deeper. In the book, the conflict feels more personal, but in the film it becomes more about the society and the different generations. Seeing how cold and arrogant Bryce’s father is explains a lot about Bryce’s own struggles. It makes his journey feel less like a "teen problem" and more like he's trying to break away from his family's shadow. The film doesn't just copy the plot; it takes the main ideas and makes them feel more real.
The best part of the story is still the idea that a person is "more than the sum of their parts." This is something Juli’s father, Richard, tells her, and it really stays with you throughout the movie. The film shows this through the visuals; the huge sycamore tree compared to the boring, flat lawns in the neighborhood. It suggests that many people are comfortable being just “parts,” rather than trying to be something more. This idea is explored through two kids who are simply trying to figure out who they are and what actually matters to them.



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